Beckett Demonstrates Longevity In Double Bill With Weaker O’Neill

By Patrick Hurley

Hughie and Krapp’s Last Tape, playing now at the Geffen Playhouse, prove to be a contrasting but thematically compatible pair starring two time Tony Award Winning actor Brian Dennehy in a double bill that showcases not only his gravitas as an actor, but the disappointments and disillusionments of life as perceived by perhaps the two greatest dramatists of the twentieth century.

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Game is Highly Charged and Relevant

By Patrick Hurley

Agitprop theatre is a highly politicized liberal leaning style that came out of Europe in the 1920s. The plays of Bertolt Brecht are still the most notable examples of this particular movement.  With his sudden shifts and lack of theatricality, Brecht wanted the audience to be witness to how theatre was made, to the artificiality of it so they could ignore everything but the message of the play. The Bitter Game, written and performed by Keith A. Wallace, playing for a limited engagement on the terrace of the Wallis Annenberg in Beverly Hills is an exciting reminder that highly charged political pieces of art have the ability to stir and surprise while inciting you to some kind of political action.