By Patrick Hurley
The contrast between the fractured theoretical and the temporal hinges upon the smallest of variables, and is reliant on the infinite number of possibilities that determine the course of one’s life. How then can we justify the experiences we have as being the only possible actualities in a universe filled with alternatives? (more…)
By Patrick Hurley There are moments in Alexi Kaye Campbell’s play The Pride, playing now through July 9, at the Wallis Annenberg Center for the Performing Arts, where the intentions of the playwright seem to peek through the swathes of heavy-handedness, and the clutter of exposition, shedding a little light on the ever changing views … Continue reading
By Patrick Hurley Facing adversity and not backing down to the challenge, Sacha Elie has written, directed and is starring in her powerful one-woman show Who you Calling a Bitch?!? At the Sacred Fools Theater in Hollywood.
By Patrick Hurley Just in time for the Holidays, or…I guess the summer holiday? No, it must be that time of year again. Yes, it’s the Hollywood Fringe Fest! Where else would you see the uproariously funny, politically incorrect Christmas special A Harmony Boys Christmas in the middle of June?
By Patrick Hurley Video games, Lithuanian pastries, and raging optimism are just a few aspects that make up Gamers, a new play by Scott Barnhardt, playing now at the Studio/Stage as part of the Hollywood Fringe Festival.
By Patrick Hurley Jeanne Sakata’s solo show Hold These Truths, playing now at the Pasadena Playhouse, recounts the remarkable journey of Gordon Hirabayashi (Ryun Yu) who was a young Japanese man at the start of World War II, and whose defiance and determination to oppose the United States Government’s orders to incarcerate Japanese-American citizens in … Continue reading
By Patrick Hurley Legendary director Peter Brook returns to his legendary roots with Battlefield, playing now at the Wallis Annenberg Center for the Performing Arts. Based on his own adaptation of the Mahabharata, a piece he co-adapted three decades ago with Marie-Hélène Estienne, this seventy-minute piece is a triumph of minimalist theatre.
By Patrick Hurley The story of the rise of Frankie Valli & The Four Seasons, Jersey Boys, playing now at the Ahmanson Theatre, is a high-energy juke box musical that relies entirely on spectacle and song recognition and falls completely short of compelling narrative.
By Patrick Hurley Dry Land, playing now at the Kirk Douglas Theatre as part of Center Theatre Groups Block Party, is a theatrical and literary novelty, it’s a coming-of-age story that was written by a playwright who was only twenty-one years old when she wrote it, she had not had time nor space from her … Continue reading
By Patrick Hurley A darkly funny twist on history, Rajiv Joseph’s new play Archduke, making it’s world premiere at the Mark Taper Forum, is a slightly uneven but entirely entertaining endeavor into historical fiction.