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Our Town Still Theatrically Reflects Our Selves

By Patrick Hurley The Theater. The invention of this spectacle-fueled construct that revels in artificiality serves as the setting, motif and thematic launching pad for Thornton Wilder’s Pulitzer-Prize Winning masterpiece Our Town, playing now at the Pasadena Playhouse. Advertisements

Fixed Attempts to Break Through Stereotypes.

By Patrick Hurley In the ever-expanding canon of representational literature, where under-represented voices are, at long last, being heard, the theater scene is bristling with more and more stories about minorities from an internalized perspective. Fixed, the new play by Boni B. Alvarez, is another of these plays.

New Musical “Upstairs” Offers a Familiar View of LGBTQ*

By Patrick Hurley The new musical The View UpStairs, is making its West Coast premiere at Celebration Theatre. The musical which features book, music and lyrics by Max Vernon is a sort of nostalgic, slightly politicized and gaycentric piece that raises comparisons of violence toward the modern LGBTQ community and the early 1970s, where community … Continue reading

Phylicia Rashad Is Something of a Miracle in Head of Passes

By Patrick Hurley Faith, that ubiquitous and imperfect belief, wherein trust and confidence take the place of facts or proof, is placed into extreme focus in Tarell Alvin McCraney’s new play Head of Passes, playing now at the Mark Taper Forum.

Big Night = Big Disappointment

By Patrick Hurley Sophomoric pedantry rises to dizzying new heights in Paul Rudnick’s slog-fest Big Night, which opened last night at The Kirk Douglas Theatre. It is an unfledged, didactic glob of far-left liberal moralizing—fortified with overwrought, yet undeveloped dialogue, spewed by posturing archetypes, so staggeringly far-fetched it’s almost impressive, and then the whole thing … Continue reading

Formula Fuels A Funny Thing

By Patrick Hurley A funny thing happens when derivative contrivance fuels a play’s engine; namely, compulsory catharsis drawn from formulaic content, wherein a distrait attempt to entwine pathos with dark humor simply can’t rise above its own prosaicisms because of the Rom-Com insistence of containing the whole thing as a neatly packaged, sugary-sweet trifle.

Indecision Reigns In Iphigenia

By Patrick Hurley Iphigenia in Aulis, presented by the Getty Museum and Court Theatre, is playing now at the Getty Villa. The play is the last extant tragedy by Ancient Greek playwright Euripides, and was part of a tetralogy that also included Bacchae.

Bridesmaids Parody is Pure Silliness

By Patrick Hurley “The Unauthorized Musical Parody Of” series has been raucously entertaining audiences at Rockwell Table and Stage for the last two years. Their most recent parody is of the 2011 film Bridesmaids. And while the show doesn’t illuminate anything that movie didn’t, it does goes a step further and adds in musical numbers, … Continue reading

Curious Incident is a Theatrical Wonder

By Patrick Hurley Theatricality and complex narrative have rarely aligned as staggeringly brilliant as they do in the highly sensorial production of The Curious Incident of the Dog in the Night-Time, based on the novel by Mark Haddon. playing now at the Ahmanson Theatre.

This Rhinoceros Shows its Age

By Patrick Hurley Rhinoceros, the classic absurdist play by Eugene Ionesco, playing now at the Pacific Resident Theatre, is a milestone in post war avant-garde theater, wherein we watch a group of inhabitants in a small provincial French town all slowly turn into Rhinoceros’s. Save one, the protagonist of the play, Bèrenger (Keith Stevenson), fights … Continue reading

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